KJ 7

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Print (Japan) ¥1000
(International) ¥1400

KJ 7
published June 10, 1988
66 pages


Cover Image by Kobashigawa Tomo

It has been more than eight centuries since the first haiku-like verses were composed in Japanese, yet only a little over eight decades since a group of Frenchmen visiting Japan wrote the first known haiku in a Western language. According to a venerable (and probably spurious) tradition, the first authentic haiku in Japanese was written by the Emperor Horikawa sometime before his death in 1107. Over the next several centuries haiku slowly evolved into a poetic form which came to be regarded by many Japanese as distinctly expressing their own “unique” culture and spirit. Since the publication of the Frenchmen’s efforts in 1905, however, this claim has been increasingly open to debate.
— Richard Evanoff, Haiku Goes West

An eco-system consists of apparently diverse elements, complexly interrelated and interdependent. Its diversity is its strength, an indicator of the health and vitality of the whole. The same applies to human systems, whether physiological, social or economic. Despite off-cited Japanese national homogeneity, consensus decision-making and a national government dominated by just one party for the last 33 years, difference does arise in some places in Japan, in the form of healthy opposition to the prevailing policy of “development at all costs”. —Ken Rodgers, Shiraho: Coral or Concrete?

Now, all the gaijin I know in Kyoto know what ogatagomi is. You know, you’re walking down the street and all at once you see, say, a Sony TV set, a bicycle, a suit of armor and three bookcases lying abandoned out on the street, and you say, “Wow! What time does it get dark?” Then you get it all home and you find out that the TV is only black-and-white and the cord’s been cut off… But anyway, that’s the easy part. Trying to get rid of ogatagomi is a problem. It’s really hard. I know. I tried, and this is what actually happened to me.
— Harold Wright, Ogatagomi


Coral or concrete?– Ken Rodgers

A natural wonder– Katherine Muzik

Tyranny of the majority– Nagahara Hiromichi

The Seeds of Exchange– Serge Glushgoff with Greg Clark

The Tree in the Japanese House: reflections on the Toko-Bashira – Ursula Opitz

Two days into the Rainy Season– Alan Chong Lau with Kazuko Nakane

Haiku goes West – Richard Evanoff

The New Haiku: An Interview with Marlene Mountain – Richard Evanoff

Bicycles of Kyoto– John Einarsen

The Japanese Art of Mindbinding – W. David Kubiak

Japanese education and the authoritarian group dynamic – Alex Shishin

Confessions of an English Teacher– J

Ballet and Butoh– Joseph Houseal

The Twain doth Meet: Noh, Kyogen and the West– Jonah Salz

The Garden on the Table– Richard Opheim

The Cicadas– Bill Shiveley


 Kyoto Dwelling: A year of brief poems, by Edith Schiffert — Margaret Chula

 Further on this Floating Bridge of Dreams: Poems from Kyoto, by Robert Brady — John A. Hall


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