2008:
69
2007:
65, 66,
67,
68
2006:
62, 63,
64
2005:
59, 60,
61
2004: 56,
57,
58,
2003: 53, 54,
55
2002: 50,
51, 52
2001: 46,
47,
48,49
2000: 43, 44,
45,
1999: 39,
40, 41, 42
1998: 37,
38
1997: 33, 34, 35,
36
1996: 31, 32,
1995: 28, 29, 30,
1994: 25, 26, 27
1993: 22, 23, 24
1992: 20, 21
1991: 16, 17, 18, 19
1990: 13, 14,
15
1989: 9, 10, 11, 12
1988: 5, 6, 7, 8
1987: 1, 2, 3, 4
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Issues: 2004
#56

Cover: photo
by Stewart Wachs
Our
56th issue features
the debut of a new regular section:
In Translation, which will spotlight the vital role of translators
in bridging between cultures. In "They Who Render Anew," Avery
Fischer goes behind the scenes to interview contemporary literary
translators Juliet Winters Carpenter, Janine Beichman, Sam Hamill,
Leza Lowitz & Oketani Shogo, Elaine Gerbert, and Royall Tyler,
exploring their diversified approaches to introducing Japanese writers
to Western readers, and comparing various translations of well-known
works.
Playwright
Sears Eldredge revisits the infamous WWII Thai-Burma railroad
in "Return to Kanburi," finding an unexpected message
of hope for the world. David Loy discovers Buddhist echoes in
the world of J.R.R. Tolkien, in "Dharma of the Rings," while
Jean Miyake-Downey re-evaluates the stereotype of "closed Japan"
in "Dragonfly Island Pilgrimage." Several articles deal with
memories: "Going Home Again" by Robert Brady, "Bamboo
Shadows" by Tony Cohan, and a short story, "Since My House
Burned Down," by Mary Yukari Waters, who is also interviewed
by Stewart Wachs ("The
Clarity of Double Vision"). Nomura Katsuko, a 92-year-old
social activist, recalls her life in conversation with Kaori Mizuno.
In "Foreign Imports," Roderick Overaa investigates the
plight of trafficked women in Japan.
Contributing
editor Marc Peter Keane introduces "Miwa-an," a contemporary
teahouse built from local materials in Ithaca, NY. Tokyo artist Jim
Hathaway encounters changes in his "Shitamachi" neighborhood; Sherry
Nakanishi talks with Osaka artist Date Nobuaki about his
literally off-the-wall "Ukeleleization" project -- tranforming
demolished buildings into unique musical instruments. In "Ozu's Garden"
Jay Manzo sees the classic movies of Ozu Yasujiro as "borrowed
landscape." Kyoto monk Keisho meditates on "Going West from
Kyoto," and William Stimson discloses the gentle art of "Opening
a Durian."
Design/graphics
by John Einarsen, Markuz Wernli, and Thierry Le.
Reviews:
Embracing the Firebird: Yosano Akiko and the Birth of the Female
Voice in Modern Japanese Poetry by Janine Beichman - Maggie Chula
The Breakaway Kitchen by Eric Gower - Sherry and Hiro Nakanishi
Screenplay of Ozu’s Tokyo Story - Christopher Tate
Edo, the city that became Tokyo - Jim Hathaway
Life of the Buddha by Tezuka Osamu - Thierry Le
Arranging Things: A Rhetoric of Object Placement by Leonard Koren
- Markuz Wernli
Theme
Issues
Street, Just Deeds,
Transience, Media
in Asia, Time, Transforming Conflict, Inaka,
Orthodoxy & Heresy, Word, Sacred Mountains of Asia, The Death & Resurrection of Kyoto, Radicalism of Cultural Continuity, Neighborhoods, Allure
of the Exotic, Kyoto
Speaks, Eros, Japan in the Year 2020
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