Required Reading

Editor Barbara Summerhawk explains in her useful introduction to the “Gender / Queer / Here” issue of the Tokyo Poetry Journal that in selecting the poets whose work appears in this volume she was taking a big tent approach: “ . . . there are no divisions in this book between lesbian/gay/bi/trans/intersex/asexual/ally; some poets have chosen to identify themselves a certain way in their bios, others have not.”

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ToPoJo’s “Deep Beatitude”

The whole matter of Beat Lit/Beat Culture’s engagement with Japan has been overdue for thoughtful attention for too long. With writing on Beat Generation personalities and their work at near-saturation point in English, Japan’s pivotal informative role in helping incubate Beat ethics, aesthetics, and insight practices especially has remained oddly elusive.

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