EXPLORE THE KYOTO JOURNAL
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Journeys of Reverence: A Daughter and Mother’s Decades on the Shikoku Henro pilgrimage
In 1995, inspired by Oliver Statler’s Japanese Pilgrimage, we first set out on the 88 temples pilgrimage around the island of Shikoku, known as the Shikoku Henro, stretching over a distance of 1200 km.
Julie Gramlich: Researching female entrepreneurship in Japan
Julie Gramlich worked for a female founder in the Silicon Valley before receiving the Japanese Education Ministry’s MEXT scholarship to study the entrepreneurial environment for women in Japan. As part of this research, Julie has interviewed over 20 Japanese women in a range of fields.
It is the mountain’s presence that most inspires when viewing Hokusai’s thirty-six prints. Rain or shine, snow or wind, clear skies – seen from village, sea, or city – the mountain is a timeline against which all of life is measured.
A Cabin In The Pines: On Urban Suffering And Chinese Landscape Painting
When I moved to San Francisco, in my early twenties, I got my ass handed to me. Not only was I a newbie in the big bad city, I was also fresh from the woods, from a six-month stint tracking raptors as a US Forest Service biological science technician…
The Manchurian Bodhisattva
In 772 the Tang dynasty emperor Daizong decreed that, for the welfare of the empire, Manjusri should be worshipped in every Buddhist monastery in China. Each of the five peaks (or ‘terraces’) of Wutaishan became associated with a different manifestation of Manjusri; accounts of visionary encounters and apparitions abound.
An oni with a magical hammer comes to tempt her, dressed as a mortal man. He strikes his hammer once, and magnificent kimono appear from thin air, which she accepts with protest and delight.
Italian and Singaporean design duo Francesca Lanzavecchia and Hunn Wai on their latest collaboration, the challenges in taking advantage of new technologies, and the tools the next generation of designers need to navigate their ever-changing field.
Records of a Travel-worn Notebook
During his copious amount of travel, Rowe grew particularly interested in the storytellers he encountered, especially those who are able to embed us strongly in the soil of those places where their stories take root.
Kyoto in the Mid-sixties
Waiting in the snow at the Ryoan-ji bus stop on a Kyoto winter morning in 1964, I was interrupted by a woman who came out of a nearby house and, seeing me standing there, went back inside and returned with an overcoat which she helped me into. It was a three-quarter-length brown coat, and warm…That was my introduction to Kyoto.
Welded from Nature: The Botanical Creations of Shota Suzuki
“In my work, I try to pursue the balance between the beautiful energy and sensual intimacy that I feel from both nature and metals. I can’t explain my love of plant motifs, I just never grow tired of them…”
Andrews doesn’t paint radicals as innocent victims, however. He describes in great detail the violent, sometimes deadly infighting that tore apart the protest movement in the 1960s and 70s, and argues that this self-destructive behavior nudged the general population toward political apathy in the decades that followed.
The Museum of Forbidden Art
The museum’s obscurity, and Savitsky’s own lack of social standing or professional reputation in the art world, meant that no one in authority thought to look at what he was doing. Savitsky took the opportunity to quietly buy up the works of Russian painters who had been killed, sent to the gulags in Siberia, or otherwise fallen foul of the State.
One-Straw Messenger: Larry Korn, author and natural farming advocate
Larry Korn was a 26-year-old farmhand from the United States living and working at a communal farm in rural Kyoto in 1974 when he decided to go and see for himself an enigmatic farmer-philosopher he had been hearing about through the grapevine in Japan: Masanobu Fukuoka.
ToPoJo’s “Deep Beatitude”
The whole matter of Beat Lit/Beat Culture’s engagement with Japan has been overdue for thoughtful attention for too long. With writing on Beat Generation personalities and their work at near-saturation point in English, Japan’s pivotal informative role in helping incubate Beat ethics, aesthetics, and insight practices especially has remained oddly elusive.
The Allen Ginsberg of Japan
Kazuko Shiraishi, in person, is similar to her poetry: vivacious, playful, intelligent, flirtatious and most important, loving. This year she turns 87, but still exhibits some of these characteristics, both in her personality and in her work.
Shokunin and Devotion
The Japanese word ‘shokunin’ is often translated as ‘artisan’ in English. Although it isn’t incorrect by definition, the translation seems to lose the spirit of what a shokunin does. I’m reminded of this every time I explain the works and lives of shokunin to an overseas audience, which happens to be what I do for a living.
A kotatsu is a low table with a blanket or quilt spread over it and a heating device inside. In old houses like ours, the area under the table is often actually sunk into the floor, so the legs can stretch out and the feet can rest directly on the little heater.
“Portraits of Eldest Sons” is a series of photographs addressing the relationship between young men and their family homes. Photographer Saito Hiroshi took indvidual portraits of himself and his friends—all young men aged around 20 or 21, and all eldest sons—in the rooms where their family butsudan, in-house Buddhist altars, are displayed.