HIDDEN JAPAN
Morse warned that in 2020, over 75% of specialists in Japanese art would be at retirement age. She called on the museum community to focus on developing a new generation of curators in response to the impending exodus of experts from the field.
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To actually practice Seiza, one needs no group or leader, no visualization, vocalization, counting, or mantra repetition, and no special symbolic objects, apparatus, or vestments. Seiza is truly more zen than Zen.
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Cradled, we were slowly merging. This I knew, looking up at the dusty stars, losing all feeling in arms, in legs, smelling the hot rice odor which was now mine as well. I, the man I thought I knew, was gone, become a thousand others.
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Tamotsu Yato embodied the erotic gaze — he was one of the earliest to do so openly. At the same time the gaze involved much more than simple erotics and it is this, no less, which merits our attention.
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The City of Otsu and Hachise, a realtor specialising inmachiya renovations, are exploring ways to restore Otsu’s glory as a station on the old Tokaido overland route
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Cultural critic, literary historian, novelist, poet and dramatist, Katō is one of Japan’s major post-war figures.
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What does the Tale of Genji suggest about sensitivity to the fleeting nature of human existence?
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“This is a book that gives voice to the Japanese who feel exactly as I do, and who exist by the millions. Japanese bookshelves are filled with angry books all of on these subjects.”
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‘I think that Dr. Suzuki is for Zen what St. Paul is for Christianity. He was “a publicist.”’
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I wasn’t totally sure I understood. It seemed like a strange thing to say — “Do you want to meet the Emperor Meiji?” I did know the Emperor had been dead since 1912…But this was Japan, where things are not always clear…
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After three years of much-needed renovation, the large Neoclassical building (with a “Japonesque” roof) located across the street from the Museum of Modern Art Kyoto, next to the Heian Shrine Otori, is re-opening as the Kyoto City KYOCERA Museum of Art on May 7th, 2020.
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Many artisans of traditional Japanese crafts are facing a growing problem: difficulty attracting apprentices to carry on the work in addition to decreasing sales as younger populations eschew traditional items for cheaper, trendier alternatives.
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Bruce Osborn’s Oyako (parent and child) series of portraits led to the establishment of an annual ‘Oyako Day’ (Oyako-no-hi), celebrated on the fourth Sunday of July in Japan.
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In apparent contrast to ongoing governmental campaigns to internationalize its citizenry and promote futuristic technologies, Japan’s primary education has long endeavored to prepare students to face present-day challenges by imbuing them with mores and practices from a century or more ago.
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The Kumano region was long considered to be one of the most sacred regions in Japan, its three shrines attracting pilgrims so numerous that they were said to resemble a line of ants…
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Although most people think of the ‘traditional’ Japanese cuisine as having its roots in the kaiseki of the late Muromachi and early Edo (1603-1868) periods, Japan and its way of eating are far older. To find out how and why the Japanese came to ‘eat with their eyes,’ it is necessary to cross a bridge of dreams.
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The practice of garden-making in Japan has a long history and over the last 1500 years, there have been many changes in perceptions of what constitutes a garden.
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‘For me, the application of the concepts of budo is the same as we play in jazz music. Musashi Miyamoto said, “Under a sword lifted high, there’s hell to make you tremble.” It’s basically the same principles when you play jazz music.’
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Through its rituals, Japanese society marks both historical time, that is, progressive irreversible time, and natural time, the cyclic eternal rhythm. Historical time was originally reckoned by counting the years from the enthronement of each emperor.
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David Kubiak presents a lively and engrossing romp through Japan’s history of imperial ascension, navigating the motley of plotting, deception, spiritualism, and debauchery that wrought the path to the Throne from the 14th to 20th centuries.
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The Japanese countryside is full of stone walls. They are not freestanding grey lines used for dividing property but rather buttresses that hold back the mountains and shape them into something that can be lived on and farmed.
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