INSIGHTS FROM ASIA
Shodō is the Japanese word for calligraphy. It means not just penmanship, but the Way, or Path of writing. In China and Japan, Shodō has long been regarded as one of the most important forms of art.
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“Apart from a transient business community, there’s nothing in England that could be called a Japanese society. In addition, when I arrived in 1960, there were very few Japanese in England at all. Therefore, as I grew up, the problem of which society I belonged to never arose. I now accept the fact that I am a mixture, a cultural compound.”
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No perfect way to earn merit in the end. Even something as simple as a bird becomes complicated. Yet still those bamboo cages at the foot of the stairs, a few kyat, and you’re compelled to have this thing all threadbare and shivering in our hands. And what was the wish again?
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I have suffered all my life from what one might call nostalgia for the future. In 2011, two years before my first cancer diagnosis, my husband and I spent the summer in Japan. I thought that if the future were to be found anywhere, it would be there, in bubble-fueled, Midas-fingered Tokyo…
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“If you look at the history of Korea, and even its current events the entire Korean peninsula has a kind-of dark story behind it. I think that Koreans have been disappointed by their leaders a lot and they have been disappointed by their businesses too. But the culture there is that you have to tolerate things in the national interest…”
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When I moved to San Francisco, in my early twenties, I got my ass handed to me. Not only was I a newbie in the big bad city, I was also fresh from the woods, from a six-month stint tracking raptors as a US Forest Service biological science technician…
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Italian and Singaporean design duo Francesca Lanzavecchia and Hunn Wai on their latest collaboration, the challenges in taking advantage of new technologies, and the tools the next generation of designers need to navigate their ever-changing field.
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The museum’s obscurity, and Savitsky’s own lack of social standing or professional reputation in the art world, meant that no one in authority thought to look at what he was doing. Savitsky took the opportunity to quietly buy up the works of Russian painters who had been killed, sent to the gulags in Siberia, or otherwise fallen foul of the State.
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“Cut it down. You’ll have a better view of the rhodies,” one neighbor suggested.
But why? I loved seeing the fir’s textured bark arcing across the backyard and then shooting up to the sky.
“This is the most beautiful tree I’ve ever seen, “ my mother said. “It’s a giant bonsai without wires.”
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My father-in-law was a flyer. A man of the air and sky. A man of dreams and bravery, of duty and responsibility. He was fiercely loyal to family and country even when they were not so loyal to him.
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Mrs. Koko Kondo showing the manuscript written by her father, Reverend Kiyoshi Tanimoto, that inspired John Hersey’s classic, Hiroshima. Do you think the Hibakusha are still important? They are still very important. This is because those individuals of Hiroshima and Nagasaki are the only humans who have ever experienced and survived a nuclear bombing. That…
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This interview with Lee Jae-bong, a Professor of Peace Studies of Wonkwang University, South Korea, was conducted in the early afternoon of June 12, 2018 while the United States-North Korean Summit was taking place in Singapore. Would you please express your overall view of the significance of the Singapore Summit, which is being conducted as…
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The Orangutan Information Center (OIC) is a trail-blazing organization constituted of a team of dedicated Indonesian conservationists and veterinarians determined to save the critically endangered Sumatran orangutan from a host of threats…
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Politically, Kham has been, and still is, a very troubled region. In 1959 after the Chinese invasion and the national uprising many people were killed, or lost their homes and had to take refuge, mostly in neighboring India.
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The second Mongolian invasion of Japan was like a sequel to a blockbuster movie; bigger in scale, larger cast, bigger budget, and the same director (Kublai Khan).
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The founders of the Miksang Institute for Contemplative Photography bring their practice to Asia with a pioneering workshop in Japan.
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When I speak of the disappearance of boats, I do not mean pleasure yachts, nor do I mean the monoliths of modern merchant ship navigation like super tankers…. Rather, I am talking about the canoes and planked craft of indigenous watermen the world over…
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“Why do we come to this place, to Hiroshima?” President Obama asked himself and the world in his historic speech on May 27th, 2016. I too, ask myself why I’ve been to Hiroshima over and over, and why I took the chance to witness this historic visit by the then-sitting US president.
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I look outside again and something happens, at once strange and wonderful. I breathe, deeply, and the universe inhales with me. Suddenly, and with great force, the air expands…
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