Kyoto Journal Issue KJ95
INSIGHTS FROM ASIA
Kyoto Journal is an award-winning,
quarterly magazine founded in Kyoto, Japan,
presenting cultural and historical insights from
all of Asia since 1987.
- FICTION, POETRY & REVIEWS
- HIDDEN JAPAN
- IN TRANSLATION
- INSIGHTS FROM ASIA
- OUR KYOTO
Confessions of a Sushi Boat
I’m so tired of them washing me, or not washing me properly. The grains of rice tend to get stuck between my wooden planks. But when Chef Jiro Sakamoto does it, it’s always different. He gives me proper care and attention, pays heed to the details of my grooves and curves…
Inspired by Japan
A look at the work of foreign artists inspired by Japan: Denis Guidone, Elaine Cooper, Alessandro Bellegarde, David Stanley Hewitt and Deborah Davidson.
Cold War Modern and the Nagasaki Triptych
The photographs in the old wire-bound album that record the occasion leave a lot to be desired when it comes to print quality. The small gathering on the steps outside the entrance to St Francis Xavier church on Sanjo in Kyoto, in the autumn of 1965, was celebrating the baptism of our newborn daughter; and…
A Familiar Environment
“Women authors in Japan are more or less par for winning the big prizes, and they’re publishing easily as much as men, but they’re not appearing in translation. There’s a movement to try and do something about it.”
Mastery of Movement
Shodō is the Japanese word for calligraphy. It means not just penmanship, but the Way, or Path of writing. In China and Japan, Shodō has long been regarded as one of the most important forms of art.
KJ Summer 2019 Reads: Titles from Tuttle
As part of their 70th-year anniversary celebrations, KJ has teamed up with Tuttle Publishing, the Asia specialist, for this four-part series.
Memory and Empathy in a Japanese School Lunch
This March 11th, as in recent years, schools throughout the country honored lives lost and a region destroyed through special meals which acknowledge loss and endeavor to strengthen community. The meals are a unique ritual for students to explore insecurity and encourage empathy.
The author says she embarked on this year in Japan in order to undertake a spiritual practice of her own. She must occupy herself while her husband seeks Soto Zen priestly credentials by training in a nearby monastery, so she joins a pottery class as a deshi (disciple) of the elderly female teacher. But she cannot seem to make the dirt and water come together to make a smooth clay, either physically or metaphorically.