KYOTO JOURNAL RECENT ISSUES

KJ has been mostly published as a quarterly magazine, in print format. Covid severely disrupted our distribution system, so we are currently publishing three issues per year. One in print, and two digital issues. At present we are unable to offer subscriptions, and KJ is available in very few bookstores, in Japan or overseas. Fortunately, all issues can be ordered through our website’s Shop pages.

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Charcoal-inspired Sumi Artistry

The Kyoto-based artist known simply as Hakama uses sumi (charcoal) as his medium in creating innovative artworks with a subtle but impressive aesthetic imbued by direct use of natural materials transformed by fire.

His work was featured in KJ 107, ‘Fire & Kyoto.’

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Kyoto Flame: sparking untold narratives in Kyoto

Charles Roche, long-term Kyoto resident, reminisces about The Flame, a unique monthly community-based storytelling event held at his hospitable Papa Jon’s Eatery. As figurative keeper of the flame for three years, Charles sparked a conflagration that lit up the local scene. 

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White Lines

Horizontal lines on an earthen wall. Found on the outer walls of temples, some shrines, and the Imperial Palace, these lines indicate close historical ties to the Imperial family. Some temples have three or four lines, but the walls of monzeki jiin, where members of the Imperial family have served, are decorated with five.

Throughout the city of Kyoto, these lines are so ubiquitous as to go unnoticed by visitors and residents alike. For me, they have a mysterious beauty. Amidst all the classic scenes of Kyoto, I have found myself photographing these simple walls again and again. They are images which were literally painted by the weather.

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Cultural Fluidity/First Experiences

“What is your oldest memory of something Japanese? What cultural product, news story, food, or schoolbook can you recall encountering as a child?”
To expand on the theme of cultural flow, we asked this question of all KJ 106 contributors and staff. Their answers, a small sampling of experiences, are microcosms of how Japanese culture has diffused around the globe and how this flow has changed over the last century. In many cases, those things remembered were only later discovered to be Japanese.

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Reminiscing Ryoma

Ryōma was born in 1836 to a family that held the lowest rank in the samurai hierarchy, a title purchased by an ancestor who had made his name as a sake brewer.  Despite these humble beginnings, Ryōma went on to become a master swordsman, and in recognition of his skill, his Tosa clan allowed him to continue his training in Edo.  It was during his time in the old capital that American Naval Commodore Matthew Perry sailed to Japan to forcibly end the shogunate’s policy of national isolationism.

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An Activist for Translated Children’s Literature

As Curator of East Asian Money at the British Museum, Helen Wang might seem an unlikely activist for global children’s literature. But September 2021 found her tweeting daily for World Kid Lit Month (@WorldKidLit), an initiative to promote picture books through young adult novels in English translation. She also collaborates with the China Fiction Book Club, Paper Republic, Translated World, the Global Literature in Libraries Initiative, and the Bai Megui Translation Competition, and she co-founded the blog Chinese Books for Young Readers.

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Portrait of Eroshenko

Eroshenko’s experiences tell us of another era in which Japan was emerging as a cosmopolitan hub and in which Europeans might come to Japan to learn, rather than to teach. It was also an era in which contact and exchange were spreading across Asia, with ideas, people and objects all being coming to Japan from across the continent. However, the story also reveals that, whilst to some a life of travel and reliance upon friendship and the goodwill of others was an inspiration, in the eyes of the Japanese state it came to be seen as a threat.

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My Father-in-Law the Japanese Radical

The origins of the Narita struggle date back to 1966, when the government announced it would build Japan’s new international gateway in Chiba, 60km from the capital—without consulting the 360 mostly impoverished local people who farmed the land around the Sanrizuka and Shibayama hamlets. The plan, with its whiff of official arrogance and highhandedness, became a lightning rod for discontent in the economic miracle years. Many farmers resisted and supporters poured into the area, fueling a conflict that quickly escalated.

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Haenyeo – The Sea Women of South Korea

My first encounter with the Haenyeo was through their song. I was hiking in the Seongsan crater on Jeju, an island off the southern coast of South Korea, when I wandered down a winding cliff path to the waterfront. On the rocky beach, an empty seaside restaurant offered seafood to absent crowds. It was obvious that Covid had taken a toll on the local tourism industry. Then the sound of singing came from a shack next to the restaurant, and filled the bay. A few minutes later five women emerged, probably in their late 50s and 60s, wearing brightly-coloured woolen underwear, wetsuit pants, and rubber moccasins. They continued to sing, dance, and laugh while simultaneously helping each other into their remaining diving gear.

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Dogen in a Hammock

Robert Aitken, the late Zen priest of Honolulu’s Diamond Sangha, once wrote that “Drowsy contentment may be a condition close to realization. It is a kind of emptiness, of nondifferentiation, where the ten directions melt: inside and outside become one.”

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Walking the Kumano Kodo

The Kumano region was long considered to be one of the most sacred regions in Japan, its three shrines attracting pilgrims so numerous that they were said to resemble a line of ants…

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Land and Money

“When my mother burns incense to honor the ancestors, it’s for those of my father’s family, the Wang, not her own, the Liu,” Shuyuan said as we mounted the steps of the factory. “She feels that neither she nor any of us children ever got anything from the Liu, its village or its land. Everything we have came from my father and this factory.”

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Hearing their Voices: the Afghan Women’s Writing Project

In 2004 when Masha Hamilton first visited Afghanistan, Afghan women sought to begin careers, get educations and participate in public life…when she returned, life in Afghanistan had become more difficult, and opportunities for women were increasingly scarce. She established the Afghan Women’s Writing Project to create a forum for both women’s education and their voices.

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Luck or Curse? The Stories of Two Hibakusha

“I worry somewhat that people in this country still think that by dropping those bombs we hastened the termination of the war and also saved a million lives of soldiers. I’m a little worried about that perception.”

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Meld

Growing up in a rural New England suburb, the only thing different about our family was that we ate rice every night and that our ancient Taiwanese grandfather would practice tai chi on the lawn.

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Engawa

I slide my feet along the floor, the gray, smooth, one-hundred-and-fifty-year-old floor of plaster of lime and clay and gravel. I think of all of the feet, the generations of feet, that have shuffled across it, lived on it, of the people who’ve sipped tea standing in the same spot.

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On Learning Pottery in Japan

We never talked about our own work in aesthetic terms. I never asked, and they never volunteered. We never talked about the “significance” of our work, or its place in society. There seemed to be no place for the pained self-consciousness that afflicts so many American potters and students.

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Sar Kaley (these so-called lucky birds)

No perfect way to earn merit in the end. Even something as simple as a bird becomes complicated. Yet still those bamboo cages at the foot of the stairs, a few kyat, and you’re compelled to have this thing all threadbare and shivering in our hands. And what was the wish again?

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Satori in the Conbini

I stopped at the neighborhood 7-Eleven conbini on my way home nearly every night. It became a strange little ritual. Each night I could shed my mousy English-teacher-in-Japan existence with fellow worshippers at the altar of consumer goods..

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