INSIGHTS FROM ASIA
Kyoto Journal is an award-winning,
quarterly magazine founded in Kyoto, Japan,
presenting cultural and historical insights from
all of Asia since 1987.
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As canals are to Venice, gardens are to Kyoto, even if mostly concealed behind the walls of private residences, or within sub-temples that have not transformed themselves into tourist attractions.
Ashwini Bhat: The #claynomad at home
From India, Australia, Japan, to the United States, and elsewhere she pursued variety and experience, which for a time was recorded on her social media under the hashtag #claynomad.
A Critical Moment for Japanese Art Curation
Morse warned that in 2020, over 75% of specialists in Japanese art would be at retirement age. She called on the museum community to focus on developing a new generation of curators in response to the impending exodus of experts from the field.
The Life and Times of Okada Torajiro and his Seiza Method of Self-Harmonization
To actually practice Seiza, one needs no group or leader, no visualization, vocalization, counting, or mantra repetition, and no special symbolic objects, apparatus, or vestments. Seiza is truly more zen than Zen.
Tadashi Nakajima: Encountering the God of Darkness
Cradled, we were slowly merging. This I knew, looking up at the dusty stars, losing all feeling in arms, in legs, smelling the hot rice odor which was now mine as well. I, the man I thought I knew, was gone, become a thousand others.
Sacred Desire Notes on Tamotsu Yato: Photographer
Tamotsu Yato embodied the erotic gaze — he was one of the earliest to do so openly. At the same time the gaze involved much more than simple erotics and it is this, no less, which merits our attention.
Cherry Blossom Epiphany: The Poetry and Philosophy of a Flowering Tree, by Robin D. Gill
“The Japanese have written thousands of poems about the cherry blossoms” is something I have said thousands and thousands of times over the years to my college classes in Japanese language…
Behind the Mask
In 1960, noh actor and mask carver Udaka Michishige was the last to be taken as an uchi-deshi, or live-in apprentice, into the home of Kongō Iwao II, the head of the Kongō School.